Giulio Romano
Italian 1492-1546 Giulio Romano was born in Rome. In his native city, as a young assistant in Raphael's studio, he worked on the frescos in the Vatican loggias to designs by Raphael and in Raphael's Stanze in the Vatican painted a group of figures in the Fire in the Borgo (L'incendio di Borgo) fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphael's Coronation of the Virgin and the Transfiguration in the Vatican. In Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de' Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master. In the Palazzo Te, MantuaAfter the Sack of Rome in 1527 and the death of Leo X, artistic patronage in Rome slackened. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and engineering projects for the duchy of Mantua. His masterpiece of architecture and fresco painting in that city is the suburban Palazzo Te, with its famous illusionistic frescos (c. 1525?C1535). He also helped rebuild the ducal palace in Mantua, reconstructed the cathedral, and designed the nearby Church of San Benedetto. Sections of Mantua that had been flood-prone were refurbished under Giulio's direction, and the duke's patronage and friendship never faltered: Giulio's annual income amounted to more than 1000 ducats. His studio became a popular school of art.

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Giulio Romano Bataille Navale oil painting


Bataille Navale
mk70 Toile sur bois H.Diam0.62 Paris,Musee du Louvre
Painting ID::  30970
Giulio Romano
Bataille Navale
mk70 Toile sur bois H.Diam0.62 Paris,Musee du Louvre
   
   
     

Giulio Romano Madonna and Child oil painting


Madonna and Child
mk78 Oil on panel 41 5/16x30 5/16in
Painting ID::  32198
Giulio Romano
Madonna and Child
mk78 Oil on panel 41 5/16x30 5/16in
   
   
     

Giulio Romano The Fall of the Giants oil painting


The Fall of the Giants
mk156 1526-34 Fresco
Painting ID::  40356
Giulio Romano
The Fall of the Giants
mk156 1526-34 Fresco
   
   
     

Giulio Romano Drawing-rooms dei Cavalli oil painting


Drawing-rooms dei Cavalli
mk178 1528 frescos Mantua, Palazzo del Te
Painting ID::  45893
Giulio Romano
Drawing-rooms dei Cavalli
mk178 1528 frescos Mantua, Palazzo del Te
   
   
     

Giulio Romano triumph of titus and vespasia oil painting


triumph of titus and vespasia
mk247 c.1537,oil panel 47x67 in,12x170 cm,louvre,paris,france
Painting ID::  56696
Giulio Romano
triumph of titus and vespasia
mk247 c.1537,oil panel 47x67 in,12x170 cm,louvre,paris,france
   
   
     

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     Giulio Romano
     Italian 1492-1546 Giulio Romano was born in Rome. In his native city, as a young assistant in Raphael's studio, he worked on the frescos in the Vatican loggias to designs by Raphael and in Raphael's Stanze in the Vatican painted a group of figures in the Fire in the Borgo (L'incendio di Borgo) fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. After the death of Raphael in 1520, he helped complete the Vatican frescoes of the life of Constantine as well as Raphael's Coronation of the Virgin and the Transfiguration in the Vatican. In Rome, Giulio decorated the Villa Madama for Cardinal Giuliano de' Medici, afterwards Clement VII. The crowded Giulio Romano frescoes lack the stately and serene simplicity of his master. In the Palazzo Te, MantuaAfter the Sack of Rome in 1527 and the death of Leo X, artistic patronage in Rome slackened. Vasari tells how Baldassare Castiglione was delegated by Federico Gonzaga to procure Giulio to execute paintings and architectural and engineering projects for the duchy of Mantua. His masterpiece of architecture and fresco painting in that city is the suburban Palazzo Te, with its famous illusionistic frescos (c. 1525?C1535). He also helped rebuild the ducal palace in Mantua, reconstructed the cathedral, and designed the nearby Church of San Benedetto. Sections of Mantua that had been flood-prone were refurbished under Giulio's direction, and the duke's patronage and friendship never faltered: Giulio's annual income amounted to more than 1000 ducats. His studio became a popular school of art.

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